Sommaire
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Foreword
205–208
The implications of Christian salvation on animals in an Orthodox approach
209–230
The Bible and the status of animals at the heart of the creative project
231–255
Human and non-human animals in the presence of the Creator God
256–265
The bear and the wolf
266–274
The four "holy animals" or the Tetramorph
275–317
Sources and elaboration of a medieval iconographic motif
Chronicle
318–319
Bibliography
320
